Sonic landscapes (sometimes augmented with electronic effects) frequently evolve into music for ARTfusion. Audio/visual artists, film direcors, animators, (game) design studios, brands, poets, writers, painters, book illustrators, dancers, choreographers, remixers, radio makers, podcasters, scientists, researchers, universities, teachers, museums, curators (ao), signed a (non) exclusive license agreement for the use of (pre) recorded audio in their art/project with the intent to share & stage the content and express the harp and soul - sound through a platform : from online, app, event, rtv and 'in a room', to the (multi-media) production itself. / TO NAME :  museum Boijmans van Beuningen, Museon, Museum Jan Cunen, EYE filmmuseum, Bonn Landes Museum, Studio Drift, dutch IGLOO, Studio Joost Grootens, Ateles Films, RSP Nature, NPO, NFF, Pathe, Nederlands Poëziefilm Festival, Kino London, Zebra Film Festival Berlin, Tropfest New York, PBS, Discovery Communications (OWN, Animal Planet, TLC, travel ao), GUCCI, Christian Thompson, Bronwyn Lace, Bell & Golfieri, Sylvia Weve, Harriët van Reek, Joost II Sickenga, Aimée de Jongh, Willem Samuel, Diek Grobler, Antjie Krog, Diana Ferrus, Ingrid Jonker, Annie Einan, Jan Eijkelboom, Marion Bloem, Anne Vegter, KB, \  — This timeless, stilled, poetic, dreamy, inner yet edgy sonic universe is where Anne locates her practice - next to the existing harp planet and music world. / It proves that the mystical harPoetry is divination, a music movement in itself ; it indicates that her unique voice is a new chapter in music history. 

THEN AND NOW

Many (inter)national musicians have added the written notes scores to their repertoire / you play i listen playlist \ Jeroen van Vliet piano can be heard in UTOPIA. Harpist Josh Layne also gives words and wings to Anne's landscape music compositions. The poet of the harp music has a specific dialect - as can be read in her credo - to empower her identity and affirm the character of the harp and soul - productions / to fabrik sonic art and other tactiles that come from the HARPlab. Online media platforms like 'sonic imagination' and offline landscapes are incredibly inspiring and the obvious modern formats to create and share new work.    'STILL LIFE' (sculptural video & sound installation) = Bronwyn Lace + Antjie Krog + AV // the online collaboration is offline exhibited and co-curated by artist William Kentridge & Animateur Phala Ookeditse Phala during Season 7 - 2021 at  'the centre for the less good idea'  in Johannesburg.           The 'Pater Noster' harPoetry movie is talked about during the 'International Alliance for Women in Music' conference 2022.                           Marion Bloem wrote a poetic pamflet (♫ AV) on behalf of the exhibition of Fiona Tan @ EYE Filmmuseum (2022).                           Diek Grobler, visual artist & animator - transformed 'Transparant van die Tongvis' (written and read in Afrikaans by Antjie Krog, translated to English by Denis Hirson), into animated poetry / the 'harp and soul - film' has become finalist and is screened during the 2022 ed. of the Haus für Poesie - Zebra Film Festival, Berlin. / 'Die Tongvis' took part @ the PoetryFilmTage, Weimar (2023), was on tour (2024) in the film theatres, initiated by the Nederlands poëziefilm festival, and is now swimming to Greece.                    The winter release 'That I Did Always Love, an ode to Emily Dickinson, for harp in a soundscape, is presented as a digi-album/CD in collab. with the Grammy Award winning record label PARMA Recordings / Harp and Soul presents: 'I havn't told my garden yet' (2024), a pin screen film by Diek Grobler; the animated poetry based on the words of Emily Dickinson, is selected @ Västerås Filmfestival                     ♫Heimwee (Jeroen van Vliet piano) is heard in 'At Europe's End', a film by experimental visual artist Sangam Sharma. Various recordings will be placed @ ATELES Films.